Molding Design
Let’s look at some of the formal issues that can guide the design of moldings for interiors.
TYPE & SPECIMEN: First, we must distinguish between a general TYPE of molding and the potentially infinite number of individual SPECIMENS of a molding type that can be created by the designer. The distinction is an important reminder that classical design implies CREATIVE DIALOGUE between type and specimen, rule and invention — and not simply the application of mechanical formulas.
ALTERNATION & CONTRAST: Moldings are rarely used singly; most often they are combined in a series. When using them in combination, there are several strategies available to enhance visual effect, resolve architectural problems, and avoid poor design. For instance, one way to decide which moldings to use in a sequence is to seek out profiles that produce ALTERNATION and CONTRAST. The contrast may be between straight and curved. Or, the alternation could be between convex and concave profiles, e.g., a TORUS, followed by a SCOTIA, followed by another TORUS — curve and counter-curve (center). We might even get contrast from the play of large and small: large CYMA RECTA, small CYMA REVERSA, etc.
[architectural moldings? ... thousands online with downloadable CAD files.]
[via Traditional Building]
